Bewitched oil on canvas 2017
I’m interested in how a cycle of construction, accumulation, rupture, and repair creates a system. As I work, I follow detours and choose contingencies within a syntax of shapes, stripes, planes, the static of paint drips, abrasions, and stains, and trompe l’oeil supports that act like small prosthetics within the pictorial space. Each painting materializes out of a friction between intention and coincidence, much like the daily processing and deciphering required to be in the world.
In a catalog essay on my recent paintings, Carmen Machado, author of Her Body and Other Parties: Stories, wrote “Deborah Zlotsky’s paintings are, at their essence, a convergence: of Renaissance images and pop art, of the past and present, of science fiction and reality, of physicality and illusion."